For Lee, who will perform
The Olive Tree, preparing for a piece so deeply rooted in nostalgia requires careful attention. “If you have time to listen to the original, you’ll find that it’s loaded with emotion – both in the lyrics, the way it’s sung and how the music is played,” she reveals.
Lee is widely known locally as the “Queen of Shanghai Jazz”, and has spent more than two decades performing music that blends early Mandarin pop from the 1920s to 1950s with elements of the American songbook. She regularly collaborates with noted pianist Tay Cher Siang and the WVC Malaysian Jazz Ensemble, and has performed at various venues in the city.
For her, the excitement lies in hearing a familiar Mandarin classic transformed for the concert hall. “Jenny Chin has done a completely new arrangement for the song, and it sounds absolutely wonderful to me,” she says. “It also helps that the song was wildly famous when it first came out, and I bet the audience will definitely be transported to another, more distant reality.”
Meanwhile, pop crooner Izen Kong brings a versatile musical background that spans opera, jazz, R&B and musical theatre. The 30-year-old performer has appeared on the international singing competition franchise The Voice, also performs regularly at Kuala Lumpur venues including Bobo KL and Alexis Bistro, and is no stranger to the stage at Dewan Filharmonik Petronas.
“Actually, I did
All That Jazz just last year with the MPO… so you could say that I’m kind of a regular fixture,” Kong reveals with a chuckle. For this concert, he is particularly looking forward to performing Solace, originally sung by Cantopop legend Jacky Cheung.
Both singers are also looking forward to performing once again at DFP – a venue whose acoustics present a very different experience from the bars and live music lounges where many performers often begin their careers. “DFP is a formal, prestigious venue with a strict no-latecomer policy,” Lee says.
Kong adds that performing alongside a full orchestra demands a very different level of preparation. “Singing with a big orchestra requires specialised vocal technique, deep musical preparation and, in many cases, amplification to ensure one’s voice carries over a large ensemble,” he says.